Photos: Fi Stimpson
Words: Richard Mackman and Fi Stimpson
Dr Feelgood are an enigma of a band. The fact that they feature no original member and all current players are third generation is unusual to say the least. However, what you have on offer is a ferociously tight and joyfully authentic Rhythm and Blues outfit that does credit and is a worthy testimony to the two early classic line-ups.
Front man Robert Kane is a striking, dapper fella, almost like an action man, all starey eyed and jutting jaw. He’s not Lee Brilleaux, but who is, eh? His soft but assertive Sunderland accent is endearing yet commanding. He is also a mean harp player. Considering he has such a big set of shoes to fill, Kane performs with confidence and ease.
Guitarist Steve Walwyn is quite possibly the most consistent and focussed guitar player I have witnessed in quite some time. He plucks a rich, ripe tone from his Telecasters and with traditional player dynamics and staggering slide skills, he is enthralling to watch. He also comes across as being an incredibly genial gent.
Stand-out numbers in the set were “Back in the Night”, “If My Baby Quit Me”, “She Does It Right” and “Rolling and Tumbling” – Walwyn’s opportunity to really shine both vocally and with the bottleneck.
Phil Mitchell governs stage left wielding probably the most road-worn p bass I’ve ever seen, like some kind of rock n’ roll John Pertwee, locking in effortlessly with drummer Kevin Morris.
The crowd this evening – the Feelgood Family – are into this show 100% with a loyalty and familiarity for the material. The intimate and cosy setting of Stamford’s Voodoo Lounge is perfect.
This is only the third time I’ve seen them in recent years, but Feelgoods are always a band I’d be very keen to see again. Long may they continue.