Ebbot Lundberg and the Indigo Children – For the Ages to Come
Words: Steve Rodriguez
Release Date: Friday 2nd December 16
- For the Ages to Come
- Backdrop People
- Beneath the Winding Waterway
- In Subliminal Clouds
- Drowning in a Wishing Well
- Don’t Blow Your Mind
- I See Forever
- Calling from Heaven
- Little Big Thing
- To Be continued
The former The Soundtrack of Our Lives (TSOOL) and Union Carbide frontman teams up with The Indigo Children and serves us up some 60s psych-pop / rock with a small dose of 70s prog. This is an album that takes you on a musical journey full of jangling guitars and lilting melodies, wakes you up half way, and then slowly calms you down again with the most perfect vocals and expertly crafted songs.
Ebbot Lundberg has been away a little while but this is now proof that he hasn’t disappeared and is still doing what he does best.
The 60s psychedelia comes to the fore instantly on the album’s opening and title track. For the Ages to Come is a Syd Barrett Pink Floydesque offering (Arnold Layne and See Emily Play immediately spring to mind here) and shows just how versatile Lundberg’s vocals can be. In fact, there is probably no coincidence that “Arnold Layne” has been a regular on his live set over the past couple of years and by all accounts has had a very raucous make-over, and just as raucous a reception.
Backdrop People and Beneath the Winding Waterway are next up and both are a familiar sound as more 60s psych and vocal harmony combine to great effect leading you into the calm and melodic In Subliminal Clouds – chock full of instrumental interludes where a new sound seems to join the party each time.
Drowning in a Wishing Well blends acoustic guitar and vocal harmonies and is nowhere near as dark as the title would suggest. In fact, quite the opposite thanks to the brass and upbeat drums on the chorus giving it a positive and meaningful stride onwards into the albums main body.
The tracks on For the Ages to Come are arguably only subtly, but adequately different, until now when Don’t Blow Your Mind shatters the calmness with a huge guitar driven 70s style rock riff and vocal and almost prog-rock soloing. This is the stand out track here and will satisfy those of you that like your music to have a more raucous nature.
I See Forever is a more experimental affair and almost haunting with its synth undertone and repeating of the song title lyrics, and it is every bit as encapsulating and moving as those before.
The musical journey then continues its calmness once more to its more recognisable state on Calling from Heaven and Little Big Thing where the 60s psych pop and vocal harmonies are here again in abundance.
Closing track To Be Continued begins with a plugged in, but not over-powering guitar melody that more accessible 60s influenced pop / indie artists Lee Mavers and James Skelly would have been proud of; and Ebbot’s vocals blend in seamlessly over the top catching your ear instantly. It rises to a crescendo of bass, guitar, piano and an almost marching drum beat.
For the Ages to Come is an album that creates an expansive and complex sound with perfectly matching vocals and production and makes you really want to listen. Fans of TSOOL would have undoubtedly been disappointed when they called it a day, but if this is the soundtrack of Ebbot Lundberg for the foreseeable future then I would guess it is a more than adequate trade-off.
01/12 (DE) Bielefeld Forum
02/12 (DE) Hamburg, Molotow/Skybar – TICKETS HERE
03/12 (NL) Nijmegen, Marleyn, Doornrossje – TICKETS HERE
04/12 (UK) London, Upstairs at the Garage – TICKETS HERE